Ephemeral Museums in Pandemic Era: Bari and the Museo Provinciale that Was There, that Has Been and Has Never Been
نویسندگان
چکیده
Abstract The proposal introduces the theme of communicative resilience exhibitions during Pandemic Era. On March 7, 2020, Italy and its museums, as well countless housed in their rooms, were closed leaving hundreds, perhaps thousands, works without public: from paintings Raphael (Rome, Scuderie del Quirinale), to tables Griffoni Polyptych assembled after three hundred years (Bologna, Palazzo Fava), statues Canova Braschi), Sant’Antonio by Antonio Vivarini San Felice chair Lorenzo Lotto chased Bernard Berenson his Apulian ‘pilgrimages’ (Bari, Ateneo). Indeed, latter is exhibition which particular attention paid here. spaces ancient Museum have come back life with “Il Museo che non c’è. Arte, collezionismo, gusto antiquario nel degli Studi di Bari 1875-1928”. involved lenders institutions such Villa I Tatti - Harvard University Center for Italian Renaissance Studies, Central State Archive Rome, Pinacoteca ‘Corrado Giaquinto’ several others. was inaugurated on February 28th. After first five days only advance COVID 19 virus. In ‘great hall’ main space Provincial called everything remained suspended perfectly finished: showcases, exhibitors, paintings, statues, clay stone art objects. However, there no longer possibility letting people, visitors enter. We said that it would been wonderful be able reopen at least ‘virtually’. And so we did, an immersive advanced teaching perspective.
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ژورنال
عنوان ژورنال: European Journal of Interdisciplinary Studies
سال: 2021
ISSN: ['2411-4138', '2411-958X']
DOI: https://doi.org/10.26417/241tmv41h